On Saturday March 8^th, African Women’s Development Fund (AWDF) facilitated an all-day Writer’s Master Class. Critically acclaimed South African novelist Yewande Omotoso, whose debut novel Bom Boy was shortlisted for the 2012 Sunday Times Fiction Prize, led the creative writing workshop at the AWDF resource center. The 28 attendees represented a wide range of ages and experiences: younger and older women, aspiring and professional writers. Ms. Omotoso began the event by inviting each attendee to share her name, and the reason she decided to come to the workshop. “Writing is not an easy thing that comes to me… I’m here to learn,” said one attendee. “I am here because my biggest source of inspiration is female writers,” said another attendee. When it came her turn, Grace, the human resource manager for AWDF, stated: “Writing is everybody’s business.” We could not agree more. After the introductions, Ms. Omotoso revealed a surprising bit of information: “I’m just beginning the workshop [by saying] that I don’t know if workshops always work.” In order to grow as a creative writer, “there is something that you have to do in your own quiet hours.”

 

For Ms. Omotoso, the decision to pursue a career in writing was a difficult one. Her parents encouraged her writing at a young age, but when she told her father that she wanted to be a professional writer, he told her, “You should have a proper job that gives you money,” continuing to say that, “I never want you to have to depend on a man, I never want you to have to be shortchanged because you don’t have your own career.” While her father’s concerns were valid, Ms. Omotoso has been able to have her own career, and was able to share her wisdom with us. She led the group in a second introductory activity: a truth and a lie. Each attendee told a fact about herself along with a myth. Ms. Omotoso explained that when you are a fiction writer “you are in the world of make believe and you are trying to be a good liar.” We learned from the game that being a good liar does not simply mean being able to convince people that the lie is true. It means being able to surprise people, make them laugh or stare with wonder.

 

Ms. Omotoso showed us a book called The Amazing Story Generator that she uses as a writing tool. By shuffling the flaps of the book, different, sometimes outlandish, ideas for stories appear. “If something is startling or absurd, we look a bit deeper.” She explained how many writers recycle the same tired phrases, so we must challenge ourselves to be original. “I call it being lazy or using shorthand… They use clichés. For instance, a ‘beautiful’ woman… What if you couldn’t use that word and had to show me in a different way?” She discussed other challenges that plague contemporary authors: “Sometimes perfectionists struggle with writing or making art because you have to make a mess first.” Many of the attendees responded to this notion, discussing how fear of judgment often impedes their ability to put words on a page. According to Ms. Omotoso, a writer must have the strength to be gentle with herself and still charge forward in her work: in other words, she must have “gold ovaries.” After this talk, the attendees shared the introductory paragraphs to their own short stories, sharing opinions and advice.

After a brief writing exercise, the legendary Ghanaian writer Ama Ata Aidoo made a guest appearance, and conducted a special session. Ms. Aidoo appreciated the work of the attendees: “The bar has been set so far!” she exclaimed. She spoke about her current love for flash fiction: a short story that is told in 500 words or less. She recommended using flash fiction as warm-up exercise. Aidoo discussed her hesitations about infusing her work with a political agenda. However, “when you have what I describe as a politicized imagination, nearly everything you write has a political tinge to it.”After reading a short story of hers, she talked about her experience, explaining that she does not like being described in terms of “firsts.” “I like the feeling that I stand on the shoulders of some really fantastic people…” Undoubtedly, Ms. Aidoo serves as an inspiration for many of the women in attendance.

After Ms. Aidoo’s departure and a delicious lunch, Ms. Omotoso initiated a writing exercise: choose a partner and describe them in 100 words. After this activity, the group discussed the difficulties surrounding dialogue. Several attendees said that they actively work to avoid writing dialogue. Others shared the dialogue that they had already written. Although some women expressed trepidation about dialogue, far more feared writing sex scenes. The group launched into a discussion about the discomfort that comes with writing sex scenes, and how it is necessary to push against this discomfort in order to express the realities of African women’s lives. “We are afraid to write [sex scenes], but if we don’t write it [50 Shades of Grey author] EL James writes it, or some porn king writes it,” remarked Ms. Omotoso. The women in the workshop discussed an explicit scene in The Justice by Boakyewaa Glover, commending Ms. Glover on her fearlessness. Noting Ms. Glover’s repeated use of the word “gorgeous,” one attendee remarked: “Ugly girls can have good sex, too!” This exemplifies the importance of African women telling their stories: no two voices are the same. The Writer’s Master Class gave women an opportunity to share their thoughts on the writing process, and have their work critiqued by successful writers.

We are thankful to Yewande Omotoso, Ama Ata Aidoo, and the attendees for making this event a huge success.

 

By Sarah Lewinger

Photos by Emily Barnard